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The Elizabethan Age

The reign of ELIZABETH I (1558–1603) was a time of great change, affecting the sciences as well as technology, trade, and the view of society and religion. The humanism of the Renaissance and the discovery of the American continent together with the new heliocentric world view put the medieval order into question. At the same time there was a deeply felt sense of loss about the demise of the old political and religious order that had given each being its due position in the universe as well as in society.

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The Renaissance, which began in Italy in the late 14th century, reache England during the reign of ELIZABETH I (1558–1603) and JAMES I (1603–1625). The scholars of the Renaissance who studied the cultures of ancient Greece and Rome were called Humanists.

The Renaissance was accompanied by radical changes in various fields of life and formed the transition from the Middle Ages to the Modern Age.
The following diagram shows the changes influencing the Elizabethan age:

Bild

WILLIAM CAXTON brought printing from Germany and Flanders to England. He published England´s first printed books in 1477. The invention of the printing press made books available to a growing audience. Literature and ideas began to spread rapidly; however, the public performance of plays was still the main method of reaching the illiterate masses.

Protestantism was established in England during the reign of HENRY VIII. Instead of the Pope, the King or Queen became the sole authority in religious matters in England. The Catholic monasteries were dissolved; churches were robbed of their wealth. The Reformation had consequences for the poor, for the stability of the social system and for foreign trade. Cut off from the countries of Catholic Europe – Spain, France, Germany –, England had to look for new markets and turned to overseas trade. Coincidentally, the defeat of the Spanish Armada by Sir Francis Drake in 1588 suddenly made England a sea-power. In spite of this victory, Queen ELIZABETH went on waging war against Spain until her death in 1603.

  • BWS-ENG2-0335-03.pdf (25.4 KB)

New Perspectives in a Changing World

In 1492 COLUMBUS'S discovery of the new continent, America, finally proved that the planet earth was a globe. Between 1577 an 1580 Sir FRANCIS DRAKE (1545–1596) circumnavigated the world between, becoming the second man to do so. The discovery of America heralded the beginnig of economic colonization and exploitation in the “new world”. England, the Netherlands and France entered on their competition for colonies in Asia. In the middle of the 16th century the “London Company of Merchant Adventurers” started overseas commerce and inofficially raided Spanish ships for gold. The East India Company was founded in 1600, trading between England and Asia, and thus laid the foundation of the future British colonial empire in India.

In 1543 COPERNICUS published his theory of a heliocentric system of the planets: neither the earth nor the other planets were stationary; they revolved in orbit around the sun.
The Renaissance stands for the discovery of man and the development of his individuality in art, thought and religion. Perspective and spatial composition began to play a role in the paintings of that period. DA VINCI'S paintings show psychological insight. DA VINCI (1452–1519) and MICHELANGELO (1475–1564), Italian painters and sculptors, studied the variety of movement and expression the human body is capable of.

However strong all these modern and new influences were, in many aspects of life and in the world view of the Elizabethan writers medieval ideas stayed alive in a simplified way. The ordinary educated Elizabethan man could not get used to the new idea of man and his position in the universe. He went on thinking earth as the centre of the universe (Ptolemaic geocentric world view; cf. Bild 2). People did not give up their belief in the existence of demons and spirits and in the power of witchcraft and magic on man. The idea of an ordered universe, the Chain of Being, still pertained. It was a fixed system of hierarchy, in which all forms of existence, i. e. the elements, the planets, the parts of the body, animals, plants and the social hierarchy were divided into classes and arranged in both vertical and horizontal order. The Elizabethans feared the consequences of a violation of this order, which would inevitably lead to disorder in nature and to a return to global chaos.

The political and religious changes were accompanied by a deeply felt sense of loss about the demise of the old political and religious order that had given each being its due position in the universe as well as in society. This was the reason why order or the loss of order were common themes in Elizabethan literature – CHRISTOPHER MARLOWE (Dr Faustus), JOHN DONNE (An Anatomy of the World), and WILLIAM SHAKESPEARE (Hamlet; Macbeth) whose stage imagery plays on the Elizabethan idea of life as a role play:

“All the world´s a stage,
And all the men and women merely players.
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first the infant(…).”

(William Shakespeare, As You Like It, II, vii)

“Life´s but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more.”

(William Shakespeare, Macbeth, V, v)

Lernhelfer (Duden Learnattack GmbH): "The Elizabethan Age." In: Lernhelfer (Duden Learnattack GmbH). URL: http://www.lernhelfer.de/index.php/schuelerlexikon/englisch-abitur/artikel/elizabethan-age (Abgerufen: 21. July 2025, 07:21 UTC)

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Enlightenment

Durch die geistesgeschichtliche Periode der Aufklärung (Enlightenment) wurde die Vernunft als Maßstab des menschlichen Handelns, der gesellschaftlichen Verhältnisse und religiöser Fragen etabliert. Traditionen und gesellschaftliche Verhältnisse, die bis dahin als von Gott gegeben angenommen worden waren (z.B. die Monarchie, die gesellschaftlichen Unterschiede), wurden nun kritisch hinterfragt. Die Aufklärung löste eine Fortschrittsbewegung in den Wissenschaften, in Erziehung, Religion und im politischen Denken aus. Alle politischen Emanzipationsbewegungen haben ihren Ursprung in der Gedankenwelt der Aufklärung.

The Population of the 16th and 17th Century

The 16th and the 17th century were times of population growth and increased economic activity in commerce, the crafts and industry. The population of England and Wales grew from about two million to 5,5 million inhabitants; the population of London expanded from 60,000 to 500,000 inhabitants. Urban expansion was partly due to the migration of the rural population. What used to be common land in the villages where the peasants’ cattle could graze, was enclosed by the rich landowners. The poor peasants who depended on the common land, in addition to the wages they earned by working for the lords, were no longer able to produce enough food to stay alive. Their hopes of finding better conditions in the cities were thwarted: the constant migration to the cities led to increasing urban poverty and social problems.

In the course of the 17th century wealthy and endeavouring citizens formed the rising middle class; the dividing line between gentry and prosperous citizens became blurred.

The Elizabethan Drama

The first English plays – written and performed in the 14th century – told religious stories and took place in churches. In the following two centuries, under the influence of the Renaissance, the topics and performance of plays changed. It is the period marking the transition from the medieval to the modern world. Renaissance plays no longer dealt with religious subjects. In London, in the 1570s the first institutionalized public playhouses, The Rose and The Theatre, were built. SHAKESPEARE, together with some actors, had a playhouse built on the south bank of the Thames: the Globe Theatre, which opened in 1599. The Elizabethan theatre was a public place open to people of all social classes, because everybody could afford the price for standing-room. Consequently, the play had to meet the expectations of all classes.

Petrarca

* 20. Juli 1304 in Arezzo
† 18.07.1374 in Arquà (heute: Arquà Petrarca, Provinz Padua)

FRANCESCO PETRARCA gilt als Vater des Renaissancehumanismus. Er beeinflusste die Form der (Liebes)Lyrik in Europa maßgeblich. Während seines Lebens bereiste er italienische Städte ebenso wie Frankreich und Flandern. Zuletzt kam er als Gesandter zu Kaiser KARL IV. nach Prag. Allerdings suchte er zwischenzeitlich auch die Abgeschiedenheit, um in Ruhe forschen zu können. Zu seinen großen Entdeckungen gehörte die Handschrift von CICEROS Briefen an ATTICUS, QUINTUS und BRUTUS. Bis heute wirkt seine berühmte Liebesdichtung, die in dem Liederbuch Il Canzoniere (1470) zusammengefasst ist, fort. Dieses Liederbuch ist der Geliebten des Dichters, Laura, gewidmet. Da sie als historische Person nicht greifbar ist, wurde sie zum Mythos und zur Legende. Niemand weiß Näheres über sie.

Raphael Holinshed

Geistiger Diebstahl oder Originalität? – Die Frage nach den Quellen SHAKESPEARES:
Was heutzutage als Verstoß gegen das Urheberrecht geahndet würde, war im ausgehenden Mittelalter und während der Renaissance durchaus üblich. Statt stets neue Ideen und Handlungsabläufe zu erfinden, ging der Ehrgeiz der Autoren jener Zeit dahin, eine bekannte Geschichte kunstvoll umzugestalten. So entstand ein Netzwerk von Geschichten, die europäische Dichter und Dramatiker variierten und ausbauten. Die uns aus dieser Zeit vertrauten Texte stellen sozusagen Erzählungen aus „dritter oder vierter Hand“ dar.
So entnahm SHAKESPEARE einen großen Teil des Materials für seine historischen Dramen aus „dem“ HOLINSHED. Hinter dieser Bezeichnung verbirgt sich weniger eine Autorenpersönlichkeit, als vielmehr eine Zusammenstellung von Geschichtsberichten und -erzählungen mehrerer Autoren, die Chronicles of England, Scotlande, and Ireland. Und auch in diesen Chroniken wurde manches von Vorgängern übernommen.

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